​翁宗奕|“月映中华·墨韵中秋”中秋书画名家线上展

 

 

皓月千秋，照华夏山河锦绣;翰墨流韵，承中华文脉薪传。中秋，是镌刻在国人血脉里的诗意佳节，是团圆寄情、怀古抒怀的文化盛典，更是东方美学温润隽永的精神载体。一轮明月，承载着千年家国情怀;一纸丹青，凝结着百世人文风骨，岁岁中秋，年年望月，山河与笔墨共生，传统与风雅长存。

山河不改，月明古今;文脉不息，笔墨常青。

本次书画展，既是一场传统美学的沉浸式盛宴，更是一次中华文脉的传承与弘扬。我们以书画寄团圆，以笔墨颂家国，让千年中秋文化在丹青流转中焕发新生，让传统艺术在时代浪潮中熠熠生辉。愿此间墨韵清风，伴皓月千里，寄山河无恙，祝家国安康，岁岁团圆，盛世长安!

 

 

翁宗奕，广州医科大学教授、国家特级书法师、当代中国首席民间艺术家。现任北京中宣盛世国际书画院研究员中国楹联学会书画研究会特聘书法家，全国书画艺术委员会副主席，全国书画艺术委员会副主席、顾问，中国文联德艺双馨艺术家香港艺术交流大使，澳门文化形象大使，受聘阿里巴巴国际书画研究院终身名誉院长中国国际艺术委员会委员。曾经系联合国美术家协会会员，中日新韩书法家联盟理事，全國书画艺术委员会副主席、顾问。及中國书法家协会会员、理事。国际ISO9000A书画艺术家资格认证中心副主席，国际潮汕书画总会永久会员、艺术顾问，美中艺术家联合会会员，中国艺术促进会顾问，中国国学学会名誉会长，中国书画学会名誉主席，中国书画家协会副主席，中国书画名家研究会副会长，中国民族艺术协会名誉主席、艺术顾问，中国当代艺术协会副主席，中华传统文化研究院研究员，广东孙逸仙书画协会理事，广东企业文化协会副会长。

作品曾获全国、亚太地区和国际金奖、一等奖、特别奖、文华奖、和平奖等百多次，举办过个展，出版个人书法作品选集、诗集、游记和论著等多部。作品收集进《中国书画30年史志》《新中国书法家选集》《中国文艺界名人库》《中华百年國粹》、奥运《中國风》、中国当代最具影响力书画家《珍品集》以及全国性、亚太地区和国际性书画选集多部。最近出版《中国丝绸大红袍——翁宗奕卷》。《中国国粹艺术传承翁宗奕精品集》《人才强国看中國》《中华文化传承大道传薪》《北京艺术博览会二十周年庆》《庆祝香港回归二十周年巨献珍藏邮册》《纪念中法建交五十周年中法人民最喜爱艺术家》《东方之颠六大艺术家》《新中国书画八大家》。《中国美术史》，《中国美术档案》，《中国近代美术年鉴》，《中国历代书画名家大辞典》，《中國风》，《百年百家作品集》。《2023全国书画名家优秀作品集》，《荣耀中国》，《新中国英雄赞歌》，《庆祝建党一百周年肘代文化传播使者》，《中国书画名家作品集》，《炫彩中国》，《培根铸魂》，《中国书画大家》，《中国当什名家作品集》，《中国艺术名家》，《筑梦未来砥砺十载》，《艺术名家》，《中国印象》等书。曾获得國内外不少殊荣。2020年中国文联、中书协、中美协和文化旅游部授予《人民艺术家》称号，2020年在防控冠疫众志成城艺术家在行动艺术展，文化旅游部授予《艺术界抗疫英雄》称号和勋章。

 

Weng Zongyi is a professor at Guangzhou Medical University, a national top-level calligrapher and mage, and the chief contemporary folk artist in China. The current researcher at Beijing Zhongxuan Shengshi International Calligraphy and Painting Academy is a specially appointed calligrapher of the Chinese Couplet Society Calligraphy and Painting Research Association, Vice Chairman of the National Calligraphy and Painting Art Committee, Vice Chairman and Advisor of the National Calligraphy and Painting Art Committee, Hong Kong Art Exchange Ambassador of the Chinese Federation of Literary and Art Circles, Macao Cultural Image Ambassador, and has been appointed as the Lifetime Honorary President of Alibaba International Calligraphy and Painting Research Institute and a member of the China International Art Committee. Formerly a member of the United Nations Artists Association, a member of the China Japan New Korea Calligraphers Alliance, and Vice Chairman and Advisor of the National Calligraphy and Painting Art Committee. And a member and director of the Chinese Calligraphers Association. Vice Chairman of the International ISO9000A Calligraphy and Painting Artist Qualification Certification Center, Permanent Member and Art Advisor of the International Chaoshan Calligraphy and Painting Association, Member of the US China Artists Association, Advisor of the China Art Promotion Association, Honorary President of the Chinese National Studies Society, Honorary President of the Chinese Calligraphy and Painting Society, Vice President of the Chinese Calligraphers and Painters Association, Vice President of the Chinese Calligraphers and Painters Research Association, Honorary President and Art Advisor of the Chinese National Art Association, Vice President of the Chinese Contemporary Art Association, Researcher of the Chinese Traditional Culture Research Institute, Director of the Guangdong Sun Yat sen Calligraphy and Painting Association, and Vice President of the Guangdong Enterprise Culture Association.

The work has won over a hundred national, Asia Pacific, and international gold, first, special, cultural, and peace awards. It has also held solo exhibitions and published personal calligraphy collections, poetry collections, travelogues, and treatises. The works are collected in the "30-year History of Chinese Painting and Calligraphy", "Selected Works of New Chinese Calligraphers", "Celebrity Library of Chinese Literature and Art", "National Essence of China for a Century", "Chinese Style" for the Olympics, "Collection of Treasures" by the most influential contemporary Chinese calligrapher and painter, as well as multiple national, Asia Pacific, and international collections of painting and calligraphy. Recently published "Chinese Silk Big Red Robe - Weng Zongyi Volume". Weng Zongyi's Collection of Masterpieces on the Inheritance of Chinese National Essence Art, "" Looking at China through Talent Development, "" Passing on the Inheritance of Chinese Culture, "" 20th Anniversary Celebration of Beijing Art Expo, "" Commemorating the 20th Anniversary of Hong Kong's Return to China, "" Commemorating the 50th Anniversary of the Establishment of Diplomatic Relations between China and France, the Favorite Artists of the Chinese and French People, "" The Six Great Artists of the East, "and" The Eight Masters of Painting and Calligraphy in New China. History of Chinese Art, Archives of Chinese Art, Yearbook of Modern Chinese Art, Dictionary of Famous Chinese Calligraphers and Painters of Various Dynasties, Chinese Style, Collection of One Hundred Works in a Century. Books such as "2023 National Excellent Works Collection of Calligraphy and Painting Masters", "Glory to China", "New China Hero Anthem", "Celebrating the 100th Anniversary of the Founding of the Communist Party of China as a Cultural Communication Ambassador" "Works Collection of Chinese Calligraphy and Painting Masters", "Colorful China", "Bacon Casting Soul", "Chinese Calligraphy and Painting Masters", "Works Collection of Chinese Famous Artists" "Chinese Art Masters", "Ten Years of Building Dreams for the Future" "Art Masters" "Impressions of China", etc. Has won many honors both domestically and internationally. In 2020, the China Federation of Literary and Art Circles, the China Writers Association, and the China US Association of Literary and Art Circles were awarded the title of "People's Artist" by the Ministry of Culture and Tourism. In 2020, during the united efforts to prevent and control the COVID-19 pandemic, artists participated in the art exhibition, and the Ministry of Culture and Tourism awarded the title and medal of "Hero of the Art World in Fighting the Epidemic".

 

 

纵观翁宗奕的书法作品，最鲜明特质是师古不泥、气韵贯通。其主攻行楷，兼涉诸体，运笔灵动洒脱、酣畅淋漓，提按转折干净利落，线条丰润遒劲、质感饱满。结体端庄稳健、疏密有致，章法布局开合有度、首尾呼应，通篇气脉流转、浑然一体。笔墨兼具帖学的温润雅致与碑学的雄浑厚重，摒弃浮躁雕琢，尽显自然质朴的书卷气韵，雅俗共赏，辨识度极高。

数十年笔耕求索，翁宗奕始终坚守传统正脉，在承袭经典法度的基础上融入个人艺术感悟，逐步形成朴茂雍容、清朗大气的个人书风。其书法无刻意张扬之态，笔墨沉稳内敛，字里行间尽显沉稳心境与深厚学养，既有传统书法的法度严谨，又有文人艺术的诗意情怀。无论是大幅创作还是尺牍小品，皆笔墨精纯、意境悠远，尽显东方书法的美学底蕴。

 

翁宗奕以毕生光阴深耕翰墨，守正创新、笃行不怠。其笔墨有古法之根基、有时代之新意、有文人之风骨，其为人低调谦和、潜心治学，是当代书坛德艺双馨的优秀艺术家。在传承与弘扬中华传统书法艺术的道路上，他以匠心守初心，以笔墨传文脉，为当代书法艺术的繁荣发展注入了温润持久的力量。