2024 年法国巴黎奥运展中国艺术代表——陈一源

2024 巴黎奥运将吸引全球 40 亿双目光成为全球重大传播中心，盛大开幕式将吸引世界各国政要、体育明星、商界大鳄、各国媒体等，齐聚巴黎。2024 法国巴黎这个艺术与体育交融成辉的国际艺术之都将吸引全球的亿万目光，它也将成为 全球的焦点，更将成为世界艺术关注的中心。

Paris 2024 Olympic Games will attract 4 billion pairs of global attentionto become a major global communication center, the grand openingceremony will attract world politicians, sports stars, business tycoons, national media and so on, gathered in Paris. 2024 Paris, France, theinternational art capital of art and sports, will attract hundreds ofmillions of eyes around the world, it will also become the focus of theworld, and it will become the center of world art attention.

全球范围内征选 100 名书画名家将其相关资料及作品，邀请相关人员组成评选小组进行审定，最后审定出 33 名赴法参展人员。

Worldwide collection of 100 famous painting and calligraphy will be itsrelevant information and works, inviting relevant personnel to form aselection panel for approval.In the end, 33 participants were selected. As follows(如下);

陈一源，红墙艺术家，2024 年“五一”全国劳模，四川成都彭州市人，中西文化研究独立学者。先生儒释道兼修，国家高级书法师，社会活动家，平生爱诗词，略通丹青，偏好书法，亦用力于中医与长寿养生。近年，有诗词杂文和书法作品集问世。他在研究了中国近代三大显学后，在学界首倡《彭学应该成为中国的第四大显学。

改革以降，先生侧重人文、宗教、书画艺术和中医养生版块，尤以实现中华民族的伟大复兴为乐事。多年以来，先生喜欢的一句话是："上下五千年，纵横十万里，经纶三大教，出入百家言。"有人选择了当下的苟且，有人选择了诗和远方，他选择了"苟日新，日日新，又日新"。

主要社会职务：

央广国际文化交流艺术委员会副主席

全国书画艺术委员会副主席

全国人民艺术家信用管理中心书画艺术委员会主席

联合国中医专业委员会秘书长

中国乡村振兴诗书画院院长

中央国家机关书法家协会会员

中国警察网警用装备在线顾问委员会委员

海南投资商会高级顾问

世界华商联合会荣誉主席

孙中山博爱基金会高级顾问

中国.巴基斯坦(海德拉巴)文化交流中心高级顾问

亚洲国际青年电影节评审团主席

中国中医专家委员会副委员长

中国周易专家委员会名誉会长

世界非物质文化遗产研究院副院长中非共和国驻华大使馆特邀名誉顾问

加纳共和国驻华大使馆特邀文化顾问

《文心雕龙》有语云："操千曲而晓声，观千剑而后识器"，经多年的读帖临池先生执着的认为：欧洲工业革命以来，西学东渐，在科技、医学、文化、艺术方面的话语权都是西方人制定的，在这些方面的很多标准都是他们说了算。我们中国书法具有像宗教一样神圣而圣洁的地位，中国书法这个独有的民族文化形式也被稀里糊涂的拉进了西方的艺术行列" 下嫁"于西方的"艺术"。中国应该有自己坚定的文化自信：书法就是我们中华民族独有的国粹，书法不仅仅是艺术。西方所谓"艺术"只是一个近 100 多年以来才在中国叫响的一个舶来词汇，在没有"艺术"之前，中国的书法就已经存在 2000 多年了。书法可以涵盖艺术，而艺术绝不可能涵盖我们中国的书法。也许中国书法是西方人永远望尘莫及的一座文化高峰。一个有品位的书法家，应该用自己的一生去做好文化积淀和自己心性的修炼。有了这个基本功，才有可能出现"下笔如有神"笔尖下的精彩表达。西方艺术，它怎么折腾也只是在三维空间里面的一种技术活。纵观西方的艺术史，我所看到的他们许多作品都只是停留在"术"的层面玩技巧，而没有上升到"道"的层面，中国好的书法作品都是灵魂的结晶，是在" 道"层面上的高维呈现，二者不可同日而语。学习中国书法，没有更高维次的思维和认知，是不可能写好书法的。经云："寂然不动，感而遂通","运用之妙，存乎一心"。不明白这些道理，谈所谓书法都是隔靴搔痒。因此，主动捍卫中国书法神圣而圣洁的地位，应该是衡量一个中国书法人有没有对自己祖国的文化认同和文化自信的具体尺度。中国书法不仅有法，有形，更重要的是还得有神和韵。中国书法有点类似中国佛教的禅修，一切想偷奸耍滑，走捷径都是不成的，只有经过多年的盘腿打坐，吃斋念佛，持戒修心……功夫到了，自然某一天你就"悟"了，自己作品的神韵也就出来了。学习书法的过程除了练习技法之外，也是一个人格提升和灵魂修炼的过程。功夫在书法之外，中国书法的底层逻辑不仅是技法，个人才华与天赋，更是坚实的中国文化底气和书法人的格局与情怀。中国书法是我们祖先留给人类的一块璀璨的文化瑰宝，我们中华文化必将引领世界，中国书法这种独具魅力的文化形式也必将永远在人类的文化史上闪烁着耀眼的光芒。

Chen Yiyuan, Red Wall Artist, National Model Worker for MayDay 2024, from Pengzhou City, Chengdu, Sichuan Province, is anindependent scholar in the study of Chinese and Westerncultures. Mr. has a dual cultivation of Confucianism, Buddhism,and Taoism. He is a national senior calligrapher, socialactivist, and has a lifelong love for poetry. He has a goodunderstanding of painting and calligraphy, and is alsodedicated to traditional Chinese medicine and longevity andhealth preservation.

In recent years, collections of poetry, essays, andcalligraphy works have emerged. After studying the three majorschools of thought in modern China, he advocated in the academiccommunity that "Peng Xue" should become the fourth major schoolof thought in China.

Since the reform, Mr. has focused on humanities, religion,calligraphy and painting art, and traditional Chinese medicinehealth preservation, especially enjoying the greatrejuvenation of the Chinese nation. For many years, a phrasethat the gentleman has liked is:

For five thousand years, spanning a hundred thousand miles,practicing the three major religions of Confucianism andConfucianism, and speaking from a hundred different schools ofthought. "Some people choose the present, while others choosepoetry and distant lands. They choose" Gou is renewed day byday, renewed day by day, renewed day by day.

Main social positions:

Vice Chairman of the Central Radio International CulturalExchange and Arts Committee

Vice Chairman of the National Calligraphy and Painting ArtCommittee

Secretary General of the United Nations ProfessionalCommittee on Traditional Chinese Medicine

President of China Rural Revitalization Poetry,Calligraphy and Painting Academy

Member of the Calligraphers Association of Central StateOrgans

Senior Advisor of Hainan Investment Chamber of Commerce

Honorary Chairman of the World Federation of ChineseMerchants

Senior Advisor of Sun Yat sen Charity Foundation

Senior Advisor, China Pakistan (Hyderabad) CulturalExchange Center

Chairman of the Jury of the Asian International Youth FilmFestival

Honorary Chairman of the China Zhouyi Expert Committee

Vice President of the World Intangible Cultural HeritageResearch Institute

Honorary Advisor Invited by the Embassy of the CentralAfrican Republic in China

Cultural Advisor Invited by the Embassy of the Republic ofGhana in China

There is a saying in Wen Xin Diao Long: "Speak a thousandsongs and know the sound, watch a thousand swords and then knowthe instrument". After years of reading the posts, Mr. Linchipersistently believes that since the European IndustrialRevolution, western learning has spread to the east, and theright to speak in science, technology, medicine, culture, andart has been formulated by Westerners, and many standards inthese areas are the final say by them. Our Chinese calligraphyhas a sacred and holy status like religion, and this uniquenational cultural form of Chinese calligraphy has also beenclumsily dragged into the ranks of Western art and 'married'to Western 'art'.

China should have its own firm cultural confidence:calligraphy is a unique national treasure of our Chinese nation,and calligraphy is not just art. The so-called 'art' in the Westis just a borrowed term that has only been heard in China fornearly 100 years. Before 'art', Chinese calligraphy had existedfor more than 2000 years. Calligraphy can encompass art, butart can never encompass our Chinese calligraphy. PerhapsChinese calligraphy is a cultural peak that Westerners cannever catch up with. A calligrapher with taste should devotetheir entire life to cultivating cultural heritage andcultivating their own character. With this basic skill, it ispossible to achieve the wonderful expression of 'writing likea god' under the pen tip. Western art, no matter how much itis tossed around, is only a technical activity inthree-dimensional space.

Throughout the history of Western art, many of the worksI have seen have only stayed at the level of "technique" to playwith skills, without rising to the level of "Dao". Goodcalligraphy works in China are the crystallization of the soul,a high-dimensional presentation on the level of "Dao", and thetwo cannot be discussed in the same language.

Without higher dimensional thinking and cognition, it isimpossible to learn Chinese calligraphy well. As the sayinggoes, 'Silence and stillness bring about a sense ofconnection,' and 'the wonder of application lies in one heart.'.If you don't understand these principles, talking aboutcalligraphy is just scratching the surface. Therefore,actively defending the sacred and holy status of Chinesecalligraphy should be a specific measure of whether a Chinesecalligrapher has cultural identity and confidence in their owncountry. Chinese calligraphy not only has laws and forms, butmore importantly, it also needs to have spirit and charm.

Chinese calligraphy is somewhat similar to Zen meditationin Chinese Buddhism. Any attempt to cheat or take shortcuts isimpossible. Only after years of cross legged meditation,fasting and chanting Buddha, practicing precepts andcultivating one's mind... When the time comes, naturally oneday you will "understand" and the charm of your own works willcome out. The process of learning calligraphy is not only aboutpracticing techniques, but also about enhancing one'spersonality and cultivating one's soul. Kung Fu is beyondcalligraphy, and the underlying logic of Chinese calligraphyis not only about techniques, personal talents, and talents,but also a solid foundation of Chinese culture and the patternsand emotions of calligraphers.

Chinese calligraphy is a brilliant cultural treasure leftby our ancestors to humanity. Our Chinese culture will surelylead the world, and this unique and charming cultural form ofChinese calligraphy will forever shine brightly in the culturalhistory of humanity.